A few steps from Casa Slalom Acoustics, the Galleria d’Arte Moderna opens its doors, where Slalom is a key player of the installation “The Architect’s House”, presenting a version of the use of its products in the hospitality sector. Conceived by Marie Claire Maison, the project presents Trilocale, curated by Matteo Thun and Antonio Rodriguez, which proposes a new living vision through three distinct environments: Kidult, a yellow space that stimulates creativity; Purification Bath, a pink room that evokes intimacy; and Tinderoom, a room in moss tones, designed to reflect new emotional dynamics. In this last space, Slalom proposes an architectural installation designed for three-dimensionality, where the warmth of the material contrasts with the metal of the bed: a real theatrical backdrop along the perimeter of the room, created with the double-height Wave wall without visible joints (a distinctive feature of Slalom products). The wall integrates harmoniously with the historic building and its frescoed ceiling, while remaining innovative and tactile. A scenic element that, thanks to the thermoforming of the sound-absorbing wall, gives longevity to the structure, crystallizing the space in a perfect balance of technology and design.
During the set-up of Trilocale, Slalom had the opportunity to converse with Matteo Thun and Antonio Rodriguez:
What inspired you to choose a Slalom acoustic solution for this project?
First of all, an obvious and practical reason: to reduce the noise in a bedroom, especially one we called the “Tinder Room.” And then, certainly for aesthetic reasons, since the proposed acoustic solution is also highly decorative: this feature makes it something fundamentally different from what one might typically imagine when thinking of an acoustic panel.
What were the main factors to consider to ensure that the design innovation integrated with the historical context of the room?
The product’s aesthetics were essential: resembling a curtain, it fits very well within the historical context of the villa, not just the installation.
What reactions or perceptions do you hope to trigger in visitors through the entire Trilocaleinstallation?
We definitely hope to evoke a reaction of surprise, but not only that. The Trilocale installation also revolves around the manifesto of a new way of experiencing the home, so we hope it can also serve as a significant point for reflection.
What do you think about the evolution of acoustic design in contemporary projects, and what role do you think it will play in the future?
As architects, acoustic design has always been an aspect we’ve had to carefully consider. When designing hotels, especially, we need to ensure there’s no noise—either from the inside or outside. The sealing of windows and doors is always crucial, and it’s becoming even more so. Similarly, it’s becoming an increasingly important aspect in the design of private homes: the market is moving toward greater attention to acoustic quality, even just for one’s own home.
